Blog post #2 will be due by Monday, October 7 by 6 PM, and your comments on TWO of your classmates' posts by Friday, October 11 by 6 PM. However, if you need a few extra days to complete your post and/or comments, that would be OK.
Harold Innis' analysis of medium theories can relate to the film Pontypool in terms of time-biased and space-biased media. In Pontypool, the medium of radio plays a central role in how information and disinformation spreads. This ties to Innis' concept that media forms can control how societies perceive reality and how power is maintained. In Pontypool, the space-biased medium of radio transmits an infectious form of communication, turning from symbols of connection into vectors of destruction. Innis talks about the dangers of communication systems that lead to societal breakdowns, much like the collapse of ancient empires that overemphasized one form of media.
The media forms in Pontypool are contemporary extensions of oral communication: Radio → allows for real-time/one-to-many communication across large distances. Grant Mazzy uses his voice to reach listeners, amplifying traditional orality by broadcasting spoken words across time and space. Radio helps spread the virus because it transmits the infected words beyond people’s immediate surroundings. Telephone → a more personal form of communication, becomes a medium through which the virus is transmitted from speaker to listener. The infection occurs from the meaning and understanding of language, which relates to how orality depends on shared understanding in conversation. Electronic amplification → allows the human voice to reach larger audiences in real time. However, amplification can also become a vector for the uncontrollable transmission of language-based infection.
These technologies represent extensions of orality, where voice and sound maintain primacy, but their socio-technical affordances magnify the reach and scale of oral communication. This aligns with Innis' theories of media, where modern technology extends communication but introduces risks when technology becomes uncontrollable or overly dominant.
For this blog post, I thought I would take the time to share a list of my top 10 favourite podcasts. I started listening to podcasts a couple years ago when I was trying to find new ways to calm my ADHD racing mind down before bed. Before podcasts, I tried many things to fall asleep, including listening to music, counting sheep, picturing a blank page and pretty much anything the internet tells you to try. One day, I was going through my apps to figure out which ones I can delete to get more space on my phone. That's when I came across the Podcasts app. Since discovering podcasts, not only do I use them to fall asleep every night, but I also listen to them every time I'm driving for more then 20 minutes. Anyways, here is my list of podcast recommendations (in no particular order): 1. "Call Her Daddy" 2. "The Cancelled Podcast" 3. "The Viall Files" 4. "BFFs" 5. "Fit, Healthy & Happy Podcast" 6. "Hot Mess with Alix Earl...
So the other day, my friend got tickets to Tyler the Creator's tour, Chromakopia. The concert is being held at, arguably, the most popular concert venue, Scotiabank Arena. Since I have been there enough that times that they should name a section after me, my friend reached out for some tips and tricks for attending a concert. I thought I would share them here for anyone also attending Tyler's concert or any other concert for that matter. TIP 1: PRE GAME HARD BUT NOT TOO HARD Drinks at concert venues are always ridiculously expensive. I'm talking about like $20 for a single can of beer ridiculous. My favourite spot to drink before a show at Scotiabank Arena is Jack Astors. They have fishbowls, cheap appetizers, and it's a 5 minute walk away. You can't go wrong. But be warned: if you are sloppy drunk, they WILL deny you entry into the show. So drink responsibly! TIP 2: NEVER SHOW UP BEFORE DOORS OPEN One misconception people have about concerts is that you NEED to ...
As I mentioned in my presentation, podcasting and YouTube draw many parallels in their trajectory and formalization. One of my favourite YouTubers, Emma Chamberlian has been on YouTube since 2016 but over the years has taken many breaks from posting and now posts much less frequently. Emma was one of the first YouTubers to start a podcast and when she started she was posting on both platforms but has eventually shifted to strictly podcasting for the most part. Her move from YouTube to podcasting brought her many already committed fans like myself to the new platform which also introduced us to find other podcasts similar to hers but from smaller influencers. Since she already had an established brand of being considered one of the most authentic YouTubers sharing many aspects of her life, podcasting only felt like an extension of herself and made sense for her branding. Since she already had a team of people her podcast had a sense of professionalism and set a new standard for pod...
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ReplyDeleteHarold Innis' analysis of medium theories can relate to the film Pontypool in terms of time-biased and space-biased media. In Pontypool, the medium of radio plays a central role in how information and disinformation spreads. This ties to Innis' concept that media forms can control how societies perceive reality and how power is maintained. In Pontypool, the space-biased medium of radio transmits an infectious form of communication, turning from symbols of connection into vectors of destruction. Innis talks about the dangers of communication systems that lead to societal breakdowns, much like the collapse of ancient empires that overemphasized one form of media.
The media forms in Pontypool are contemporary extensions of oral communication:
Radio → allows for real-time/one-to-many communication across large distances. Grant Mazzy uses his voice to reach listeners, amplifying traditional orality by broadcasting spoken words across time and space. Radio helps spread the virus because it transmits the infected words beyond people’s immediate surroundings.
Telephone → a more personal form of communication, becomes a medium through which the virus is transmitted from speaker to listener. The infection occurs from the meaning and understanding of language, which relates to how orality depends on shared understanding in conversation.
Electronic amplification → allows the human voice to reach larger audiences in real time. However, amplification can also become a vector for the uncontrollable transmission of language-based infection.
These technologies represent extensions of orality, where voice and sound maintain primacy, but their socio-technical affordances magnify the reach and scale of oral communication. This aligns with Innis' theories of media, where modern technology extends communication but introduces risks when technology becomes uncontrollable or overly dominant.